DAVE COPE AND THE SASS – KILLER MODS FROM INNER SPACE

It appears that all those who have listened to Julee (released in 2022) are in agreement that Dave Cope and the Sass is a band deserving of more recognition. Their songs exhibit a remarkable quality, infused with a captivating blend of ’70s nostalgia and British Invasion vibes that define Cope’s distinctive sound.

With their new album, Killer Mods From Inner Space, they are expected to make a significant breakthrough, as everything that was already exceptional on Julee is further elevated on this latest release. The opening track, “Seemed Like A Good Idea At The Time,” not only features a catchy melody but also boasts a sing-along-worthy chorus. It’s undeniably infectious.

When it comes to lyrics, if you appreciate clever one-liners such as “I take drugs to keep from getting high” from the song “Butterfly Heart,” then you’ve stumbled upon your new favorite lyricist in Cope. He effortlessly incorporates this kind of thought-provoking wisdom into his repertoire.

The album takes unexpected turns as well, with “Start” presenting an unconventional ballad that encourages listeners to cherish their loved ones. The slightly kitschy performance is easily overlooked when considering the undeniable truth behind the message. Following “Start” is “Peeping Tom,” which provides a stark contrast by showcasing Cope’s ability to channel the early years of Nick Lowe rather than resembling a Ben Folds rendition of a Billy Joel song.

“More” exudes a delightful glam rock vibe, while “Season of Love” showcases Cope’s soft rock prowess through his tender head voice. The album’s variety in sound and vibe is a welcome addition, but what truly stands out is Cope’s consistent ability to craft excellent songs across this spectrum. It is highly recommended to promptly give Killer Mods From Inner Space a listen and appreciate Cope’s talent firsthand.

THE MIDNIGHT CALLERS – RATTLED HUMMING HEART

‘Without Ya’ may create the impression that Robin Zander handles the lead vocals, but that assumption is actually incorrect, of course. However, The Midnight Callers make no effort to conceal their influences, with Cheap Trick being one of them.

Their sophomore album, Rattled Humming Heart, serves as a heartfelt tribute to the Power Pop sound of the late ’70s and early ’80s. ‘Without Ya’ stands out as one of the many exuberant celebrations found on this remarkable record. Drawing inspiration from Power Pop’s heyday, where the boundaries between infectious pop, mellow AOR, lively New Wave, and raw rock remained delightfully blurred, The Midnight Callers embrace the same infectious energy and conviction.

This spirit is akin to the self-assuredness displayed, for instance, by Locksley on their masterpiece ‘Don’t Make Me Wait,’ or Rick Springfield when he unexpectedly enjoyed a series of major hits in the mid-’80s.

From the very first track, “New York Tramp,” to the final song, “Colors,” every moment is emotionally resonant. This album feels like the perfect mixtape to kickstart your summer vacation.

LLOYD COLE – ON PAIN

Back in 1984, I used my own pocket money to purchase ‘Rattlesnakes,’ the impressive debut album by Lloyd Cole and the Commotions. That initial encounter left me hungry for more, but as time went on, I somewhat lost touch with Cole’s musical journey. Nonetheless, I can’t recall a single holiday since then without a mixtape, self-burned CD, or Spotify playlist featuring the title track of ‘Rattlesnake’ and the timeless gem ‘Perfect Skin.’ The narrative-driven lyrics, the captivating jangle of the guitars, and the carefree melodies of those songs have remained utterly irresistible.

In recent years, I’ve been making up for lost time, eagerly delving into the wealth of records that followed his debut. And there have been quite a few. Collectively, they form an exceptionally rich body of work, with one standout example being his collaboration with The Negatives, which I find equally captivating as his first offering.

Just last week, Cole unveiled his latest creation, ‘On Pain.’ In recent years, he has made notable adjustments to his sound, shifting towards a greater incorporation of synthesizers over the familiar strums of the guitar. The lyrics have also become less verbose, embracing a more concise approach. My children drew comparisons to The National, while I found hints of David Sylvian or The Blue Nile. The overall effect is undeniably refreshing. Cole has always been an artist whose words and voice exude believability from the very first note, even though he adamantly advises against placing complete trust in him on the opening track. One of the standout songs, “The Idiot,” boasts a captivating atmospheric quality that immediately grabs attention. It’s possible that Cole has truly honed his new sound here, reaching its pinnacle.

C’MON C’MON – THE CRACK AND THE LIGHT

Belgian band C’MON C’MON creates enduring pop music that resonates in the same league as Teenage Fanclub, Nada Surf, and Toad the Wet Sprocket. Their exquisite blend of delicate melodies and pleasing vocals evokes a timeless quality. In their debut album, “The Crack and The Light,” the level of production is so impeccable that it’s difficult to fathom it as a first offering. The sheer excellence of the music is nothing short of awe-inspiring.

LANE STEINBERG – HEADSPACE

I listened to Headspace for the first time on my 40-mile commute to work in Haarlem, and by the time I arrived, I felt like I had gone on a world tour and made more friends than a popular Instagram influencer. Whether it’s the lively personalities or the vivid locales, Steinberg’s creations are bursting with richness and vibrancy.

The album’s sound has been characterized as a fusion of Burt Bacharach, Brian Wilson, XTC’s Andy Partridge, and Ben Folds, incorporating a laid-back, Sunday morning production style that gives the songs ample space to unfold.

Headspace is undoubtedly a pinnacle in Lane Steinberg’s career, a shining example of his exceptional talents and a testament to his ability to continue to produce remarkable music even in the later stages of his career.