The Great Affairs is a rock ‘n’ roll band.

 

And they made a rock ‘n’ roll record.

 

You get it all: classic rock, power pop, roots rock, Southern Rock…

 

When you think you are hearing Cheap Trick, The J. Geils Band, The Bottle Rockets and Bad Company at the same time, you are probably a good listener.

 

More important, if you are looking for a Saturday-Night-Record, I have found you one.

 

Enjoy!

 

Denny Smith explains.

 

 

The music industry has changed a lot (or so they say). What did it bring you? And what not?

 

Well, I’ve seen the better part of the Continental United States, made a ridiculous amount of great friends I wouldn’t have otherwise ever even met, and gotten to share all of the above with a bunch of guys that I now consider family…those are all wins in my book that have  been brought to me. It has also laid at my feet a few truly heartbreaking disappointments and close-calls, but I could be mopping a hospital floor or working in a machine shop instead of sitting here answering these questions for you, so I like to believe it’s all worked out as planned, because I’m generally a pretty happy guy.

 

I think as I really got into the guts of the machine, that I kinda knew it wasn’t going to be the dream I had as a kid. I just periodically remind myself to stop before I fall out of love with it, so it hasn’t managed to bring me to my knees yet I guess.

 

 

 

 

Can you still recall the moment music became important to you? What happened?

 

I have a very vivid memory of being at my grandparents’ house and finding a little metal 45RPM carrying case that had belonged to my mom when she was a kid. I looted all the CCR and Beatles singles I could get my hands on and dragged them home to my portable record-player, which up until that point had been used to play nothing but Planet Of The Apes, GI Joe, and Space: 1999 book & record sets. I wore out a 7” of  “Can’t Buy Me Love”… I just couldn’t get enough of it. From there, I dove into my parent’s VERY limited LP collection and spent entirely too many hours in from the of their old console stereo system with those giant headphones pressed to my ears. It was right around that time when I started begging for a guitar, a plea my grandmother kindly obliged by giving me an old acoustic that I could barely wrangle sound out of because my hands weren’t strong enough to press the strings to the fretboard. Sadly I don’t have that guitar anymore…but I still have those book & record sets.

 

 

 

 

Which is the song you wish you had written every time you hear it? And why?

 

 

There are so many of these but the obvious ones that spring to mind are Elvis Costello’s “Man Out Of Time”, and I can’t even tell you why…there’s just something in that tune that nails me to the floor when it comes on. Maybe it’s that bizarre, frantic intro, and the sudden shift into the song proper that catches me off guard…whatever it is, I’m hooked and in for the full 5 minutes and 29 seconds(I had to look that up) whenever it hits my ear.

 

Two “Honorable Mentions” that occasionally slip into the #1 spot are “Crazy” from The Afghan Whigs, simply because it gets under my skin, and maybe because I’ve seen the story he’s telling play out in real time, so it hits home. It doesn’t hurt that that arrangement and groove are so hypnotic either.

 

Lastly, even though you only asked for one(sorry) would be Del Amitri’s “Driving With The Brakes On”, just because it breaks my heart each and every time I hear it. Justin Currie can do no wrong in my book.

 

 

 

Magic can happen when you are playing in front of a crowd. Can you recall such a moment?

 

Any time I hear a group of folks I’ve never met before that night singing along to something I wrote on an acoustic guitar in my spare bedroom, I chalk it up to magic. That happening every now and then can make up for so many disappointments, flat tires, crappy hotel rooms, empty clubs, warm beers, and long miles on no sleep, that it might be the only thing keeping me going sometimes. Thankfully, I can recall several of these moments. It always makes me smile when I see it happen for another artist too because you can feel that connection, like the whole room, finds a mystery frequency that we can all operate on in complete bliss for a few fleeting seconds. I wish the world felt like that all the time.

 

What would change if Disney would call and tell you they are going to use your song in their next movie?

 

My address, because I could finally afford to buy a few acres in the country, and I wouldn’t have to mow the hill behind my current house that is almost surely going to kill me one day. Seriously.

 

 

What’s up for the rest of the year?

 

Our #1 order of business is to stay out promoting ‘Ten & 2’ for a good, long while. Kenny is close to wrapping up a solo EP, and I’ve got another batch of tunes kicking around that might turn into a new solo record for me too, but they’re going to be more in the Pop/Singer-Songwriter vein… still plenty of guitars, of course, but less of the riff-y Blues-based stuff that we sometimes do with the band. I’m sure we’ll start throwing around new ideas soon though and look towards another TGA record down the road a bit.

 

An arcane indie rock band with psych and powerpop overtones from Miami Beach are an unlikely bunch to be named after a Monty Python sketch, yet the musical collective Ex Norwegian indeed are.

‘No Sleep’, the ninth album arguably takes the band back to the beginning, crafting straightforward pop/rock songs with effective arrangements and quirky lyrics with strong melodies. The main trio of Roger Houdaille, Michelle Grand, and Giuseppe Rodriguez will be touring later this year to support the release.

BabySue writes: If you like pop songs that stick in your head like glue and never go away, you’re gonna totally dig this album. No Sleep features eleven super smart guitar-driven pop tracks that are sinfully addictive. A few of the band’s more recent albums have featured a more raw basic sound. On Sleep, they return to the more produced and polished sound they had when they were just getting started. 

 

 

Sweet Sweet Music talked to Roger Houdaille.

 

What was the biggest fun during the making of the last album?

It was fun to realize we even had an album to work on! Originally the plan was to compile a sort of “best of” collection and do heavy promo and tour behind it. But once we started fleshing out the project and working with the PR / MGMT people, it became clear that it made more sense to do something totally new and “No Sleep” was born. I didn’t have any songs ready but in a week or two, there were enough to start rehearsing them, which was something we hadn’t done in a while…rehearse the songs a bit before actually going to track them! Although it was a very quick process, we had a good time recording backing tracks at our friends’ studio and eventually putting all the bells and whistles on it.

 

 

At what point, during writing, rehearsing, recording, did you knew you were on to something special?

 

I remember introducing the song “Triggered Weeknd” at rehearsal and first run thru it just came together effortlessly and sounded great. That was interesting for me because I didn’t think too much of the song at that point so the band really made it something special and it sort of became our lead single. Overall, there was a good energy and because of the spontaneity of it all, there was also a good level of excitement which I hope transfers itself onto the record.

 

 

The music industry has changed a lot (or so they say). What did it bring you? And what not?

 

Ex Norwegian started 10 years ago and it was a little fun to think back on how we did things with the first album versus the ninth! Social media seems to be more and more important. While it’s easier to reach more people it’s also a lot harder than it was. Stuff like college radio or even traditional PR we don’t do anymore. So it brings us a lot more work as artists! Companies we used to work with now train the bands to do their own work. But at the end of the day, truth be told without the internet, we wouldn’t have released any albums or have any listeners, so there comes a gratitude with the modern music industry for allowing independent artists to even exist.

 

 

The meaning of ‘success’ has changed over the years. When will the new record be a success?

 

It probably won’t! At least not in traditional sense. We actually did try to do something bigger than before with “No Sleep” but it backfired bigly when the company in charge went out of business right around the release date. We had to cancel our US tour and everything. But for my meaning of ‘success’, the fact that it exists is enough. I do think Ex Norwegian is a band with a wealth of catalog that will survive as long as interest in this kind of music exists.

 

 

 

 

Do you feel part of a community, the power pop community?

 

Yes, I think the band fits in well. We get most of our sales and reviews from the power pop community and done the International Pop Overthrow and all that. And although we do get labeled often a power pop group, I think we merely flirt around with the genre.

 

 

 

 

 

 

BUY

Dot Dash’s new album Proto Retro, the band’s sixth long player, out now on TBM. 

Coming off of 2016’s amped-up, fuzzed-out Searchlights, the 12 track Proto Retro sees Dot Dash taking a poppier, janglier direction but one that retains the punky, garagey energy that has marked the band’s previous releases.

 

Dot Dash is a Washington D.C.-based trio — Terry Banks (guitar & vocals), Hunter Bennett (bass), and Danny Ingram (drums.)

 

 

Sweet Sweet Music talked to Terry Banks.

 

 

 

 

The meaning of ‘success’ has changed over the years. When will the new record be a success?

 

I suppose it’s a success just by existing.  I think that’s the big goal, to just have the stuff exist.  We’ve had a few of our songs licensed for use in TV shows and movies in the past and when that happens it produces money that helps to pay for recordings. So, it would be nice for that to happen again with this new album, but you can never count on stuff like that.  It happens when it happens.

 

photo credit Roxplosion

 

Do you feel part of a community, the power pop community?

 

At the risk of sounding anti-social, no, not really.  There’s no question our stuff is pretty power poppy, but we don’t see ourselves as a “power pop band.”  That said, if other people do, that’s fine with us.  At various points, our music has been described as power pop, garage, punk, post-punk, indiepop, and indie rock, so maybe we’re a mix of those things.

 

 

Which is the song you wish you had written every time you hear it?

 

That’s a hard one.  Maybe “The Airport Song” by The Byrds, or “Outdoor Miner” by Wire.

 

 

If you could tour the world with 2 other bands, who would you ask to join?

 

The closest Dot Dash has got to touring was a little string of East Coast dates with Tommy Keene, who was a real music hero of mine/ours, but Tommy passed away last fall, so that’s him off the list.  Let’s see, who else?  How about Guided By Voices and The Monochrome Set?

 

 

 

If the budget was unlimited, how would you record the next record?

 

Hmmm… it would be cool to record at Ardent Studios in Memphis (where the Big Star stuff was done, among many other things.)  Or, further afield, Abbey Road.

 

Proto Retro is available as a digipak CD (which includes a free download of the album) here:  http://thebeautifulmusic.com/

And as a download here:  https://dotdashdc.bandcamp.com/

band info:  https://www.facebook.com/dotdashdc

 

The Pretty Flowers are Noah Green, Sam Tiger, Jake Gideon, Sean Johnson. Based in Los Angeles. They just released a new record called ‘Why Trains Crash’  and it’s out on Dirt Cult Records.

L.A. Record wrote: twelve songs that are like Guided By Voices’ hi-fi power-pop and Mountain Goats-style poetic righteousness plus—at least on “Sitting Duck CA”—a little twin-engine Thin Lizzy guitar acrobatics, too.

And yep, all true!

Listen, watch, and read what Noah Green shared with Sweet Sweet Music.

 

 

 

 

‘Folk Rock’, they say. ‘Twangy (Power) Pop’, I would say. Whatever. Quality songs and great melodies over here. No need to argue about that. Anchor & Bear’s new release ‘Raincoats and Gold’ is a joy. A JOY!

 

 

 

Anchor & Bear are Katy Pearson – vocals/bass/guitar, Brian Bringelson -vocals/guitar/bass and Eric White – drums.

 

 

What was the biggest fun during the making of the last album?

 

I think we really became a band making this record. It was such a different experience creating this record than it was with “Ahoy”. With the first album, Brian and myself had all the songs sorted out, some even had demos already recorded. With “Raincoats and Gold” we worked through these tunes as a band. The writing, the arrangements, and the grooves were all collaborative which made recording the record a much more enjoyable experience. Plus our producer Matt, he was and still is a highlight.  – Katy

 

 

Which is the song you wish you had written every time you hear it? And why?

 

The easy answer for me would be any song written by The Beatles, but I’ll choose another artist! Neko Case’s song “The Pharaohs” is a song that completely changed the way I looked at songwriting. The melody twists and turns in so many beautiful ways that it almost seems impossible a mere human could create such a thing. Of course, Neko Case is much more than a mere human. In addition, the lyrics stop me dead in my tracks every time I hear them. On top of all of this, it’s a song that is constantly in my head, which is a good thing in this case since it’s just so perfect. 100% a song I wish I had written. – Brian

 

This is hard because there are probably a million I could say but two stick out.  “Lullaby” by Loudon Wainwright III. It’s this biting, sad, lilting, tough song. I think writing something slow without it becoming mundane is an art form. It’s filled with beautiful moments of interesting chords that are purposeful but not forced. It’s haunting but weirdly sweet at the same time. Lyrically it’s dynamite. The other song would be “Surfs Up” by Brian Wilson. The melody line on  “columnated ruins domino” is still the most beautiful melody line I’ve ever heard in my life. – Katy

 

If the budget was unlimited, how would you record the next record? 

 

I would book 2 months at Abbey Road to record basic tracks: drums, guitars, bass. Then I would book another month at Sunset Sound to do overdubs and some vocals. Then finally I would book a couple of weeks at Capitol Records to finish it all up. I’d also have it mastered at Abbey Road just so I could be there for another few days/weeks. – Brian

 

Saaaaaaaaame ❤ – Katy

 

 

 

What’s up for the rest of the year?

 

We will continue to play shows up and down the California coast promoting “Raincoats and Gold”.  In addition, we’ll be making another music video for one of the tracks off the new album which should come out this fall. Katy and I have already started writing songs for the next album and hopefully, we will begin recording before the end of the year. – Brian

 

Shows, Shows, Shows, and Shows. We’re also writing because we never stop. We’ll be putting out a music video soon and then hopefully (after a few other recording projects get checked off) we’ll be headed BACK into the studio as a band before we see the downbeat of 2019! ❤ – Katy

 

 

 

Can you still recall the moment music became important to you? What happened? 

 

The moment music became important to me was when I was very young and would listen to my parents play records on their amazing stereo system. Albums like “A Hard Days Night” and “Rumors” sounded so perfect and just seemed to mean something very important. The fact that my whole family was sitting on the floor just listening to this amazing music really left a mark on my life. I knew I wanted to do something involving that feeling. – Brian

 

Man, the moment music became important. I think it happened even before I had the brain capacity to recall it but, my two biggest memories are forcing my dad to teach me every single lyric to “Why do fools fall in love?” the Beach Boy version as he drove me to school. I was obsessed with the B section. The other big life-changing moment was when I wrote my first complete real song. I think I was 12? I had piddled around with writing but this moment was different. I wrote it and I liked it, plus other people liked it too. But more importantly, I loved how I felt when I was doing it. I’d never felt freer or more like myself in my life. So I just kept chasing that because, why wouldn’t you? – Katy

 

BUY

John Brodeur worked with Jason Falkner and they created something special. Something special? It’s BEAUTIFUL!

At what point, during writing, rehearsing, recording, did you knew you were on to something special?

 

 

I knew Jason Falkner for a number of years before we finally got into the studio together. So when that finally happened, there was a very natural, easy flow to the creative process.

We made “Direction” that first day and both felt right away that it was really strong, and that we should do more. “Betting On The Sun” was another one that was written and recorded very quickly. By the end of the session, we were congratulating each other on how good it was.

On the last day of mixing, we invited 8 or 9 friends to come by the studio and listen back to the album, and each person named a different song as their favorite. That’s when I really knew we’d made something that has the potential to reach a lot of people.

 

Which is the song you wish you had written every time you hear it? And why?

 

 

This could easily be a Top 40 list. But, a few that jump to mind: Elliott Smith’s “Waltz #2 (XO),” because it just stopped me dead in my tracks the first time I heard it. I remember sitting in my car for about 5 minutes after the song finished so I could hear the DJ identify it. Elliott’s music deeply affected my creative path. It just seemed way too pretty to be on alternative radio in 1998–true songcraft was scarce on commercial stations–and it made me 1) immediately buy all of Elliott’s recordings, and 2) write at least a half-dozen songs in waltz time.

Another one is Gilbert O’Sullivan’s “Alone Again (Naturally).” It’s such a lively-sounding song, but it’s full of these little suspensions and neat twists in the progression, and it has a rather difficult and surprising melody. And the lyric is incredibly mournful. Apparently, it wasn’t autobiographical, and I can’t decide if it makes me appreciate it more or less. A 21-year-old kid fabricated that? Unreal.

 

 

 

If you could tour the world with 2 other bands, who would you ask to join?

 

Foo Fighters, because, I mean, who wouldn’t want to play with the Foo Fighters? And Neil Young, because he is my spirit animal and it would be a blast to watch him perform every night.

The meaning of ‘success’ has changed over the years. When will the new record be a success?

 

 

In many ways, at least from my perspective, it already is a success. Working with Jason was a career highlight, and Bird Streets is by far my best album–I mean, it’s not even close. Having the record out on Omnivore is a real badge of honor.

The reviews have been really generous, our single is picking up traction at radio, and people from all over the world that I’ve never met are e-mailing and posting on our page about how much they like the record!

Even if the momentum dies down in a few months, I can take pride in having made music that a lot of people enjoy.

 

If the budget was unlimited, how would you record the next record?

 

Underwater.

MAYBE is the third full-length studio album by John Lathrop as The Stan Laurels, containing songs featured in the motion picture MAYBE SHOWER.

With MAYBE, Lathrop has created something special and original: a film soundtrack that is also a pure stand-alone rock record. The lyrics are centered around characters and themes in the fictional MAYBE SHOWER universe, but one does not need to know the movie to appreciate or understand the music. Paying homage to his power-pop and rock heroes, this is Lathrop’s heaviest album yet, full of loud, crunchy guitars, big hooks, pounding drums, space-age synths, and melodic guitar solos, while still being as poppy as ever. The LP is also unique in that it’s The Stan Laurels’ first release on vinyl!

BUY & LISTEN

What was the biggest fun during the making of the last album?

When one person is doing everything on a record, although it can be tedious, it is also incredibly rewarding. I think the most fun part was how fast these songs came. This album kind of just poured out of me, faster than any album I had done previously, and it was crazy/cool!

At what point, during writing, rehearsing, recording, did you knew you were on to something special?

Because these songs were written for a movie (Maybe Shower), I would send writer/director Lex Lybrand bits of rough demo songs as I was writing them. The very first song I wrote was “Maybe,” the title track, which came to me really fast. It was just an idea, really, a sample of the sound I was going for. I sent the demo to Lex, not having any idea what he would think. He immediately loved it and said this is THE theme song of the movie. I was stunned by his reaction. From that point on, I knew this was the direction to keep driving in.

Do you feel part of a community, the power pop community?

For the first time ever, I do. I have loved power pop since I was born. I was lucky to have parents who listened to great music when I was a kid, and power pop was (and is) probably my favorite style. My music has always been in this vein, but with Maybe, my newest album, I finally put the “power” into the “pop,” making it what I feel is a true power pop album, and I am proud of it. People seem to have noticed this one a lot more, and having been featured in a lot of my favorite blogs and played on my favorite power pop radio shows and podcasts along with other great bands I respect makes me feel “official,” like a proud member of the power pop community.

Which is the song you wish you had written every time you hear it? And why?

There are a few … “Scarborough Fair” by Simon & Garfunkel and “God Only Knows” by The Beach Boys for sure. But in terms of power pop? I would have to say “No Matter What” by Badfinger. The beautiful melodies, the harmonies, the perfect amount of crunch on the guitars, the stops and starts and punchy accents … it’s absolute power pop perfection. Even if that was the only song Pete Ham had ever written, he’d still be a legend to me.

What would change if Disney would call and tell you they are going to use your song in their next movie?

I’m not sure much would change, other than my bank account. The music industry is so saturated now that it’s nearly impossible for small indie bands to get noticed. If an opportunity comes along with someone huge like Disney or even a cheesy commercial, it’s all part of getting your music exposed to more ears. Now, am I going to change the way I write and record music purposely to try to attract big corporations? Hell no. Never. By the way, can you give Disney my phone number? 😁

 

‘Seriously, it’s just PERFECT!’, says Michael Slawter about Del Amitri’s Not Where It’s At. Well, he wrote some pitch-perfect ones himself. ‘Last Call For The Breakfast Hearts’ was released this month and it’s … well … you’ll get it by now!

 

 

 

 

 

What was the biggest fun during the making of the last album?

This record took over 4 years (fits and starts) to make. There were lots of great moments, like when I noticed the songs “take a turn” as we called it. Basically, when the song came to life for the first time, but my biggest thrill was getting the final CDs in the mail. Finally knowing the record was done.

 

At what point, during writing, rehearsing, recording, did you knew you were on to something special?

 

The first two songs we recorded were SUMMER’S KIND and SAME OLD THING. Once we did the first run-through to get the drums recorded we knew we had something great!

 

Do you feel part of a community, the power pop community?

I discovered the POWER POP community in 1999 through YAHOO groups and it changed my life. I discovered all these awesome folks that grew up listening to the same music as me but in different parts of the country. I quickly became involved in CD/TAPE trading and my CD collection exploded. I happened to be from Winston-Salem and fans of the dB’s and Let’s Active and Mitch’s Drive-In Studio always wanted to hear other COMBOLAND bands that I happened to be privy to.

 

Can you still recall the moment music became important to you? What happened?

My 8th-grade girlfriend bought me REM – MURMUR as a birthday present. That record changed my life. I then went to RJ Reynolds High School in 1984 which happened to be where the dB’s and Let’s Active went to school 10 years earlier. I even saw REM play in our auditorium during my sophomore year. It was a magical time to discover music.

 

Which is the song you wish you had written every time you hear it? And why?

DEL AMITRI – NOT WHERE IT’ S AT. It’s the PERFECT pop song! Seriously, it’s just PERFECT!

 

What’s up for the rest of the year?

My hope is to record more songs with as many folks as I can and have another record ready for next year!!! I am planning to release a record a year over the next 10 years

Painting sounds in Sunshine-Bubblegum Garage and PowerPop.

And ‘yes’, she did it again!

 

 

 

Listen on Spotify

 

 

 

 

 

 

 

 

 

 

 

 

 

Oooh FUN!!! Of course my dream band would actually be Tom Richards, Ricky Tubb, Matt Fass and Simon Hancock. 

We would jam on “Billy Hunt” by The Jam….and we WOULD know for sure!!!

 

What’s up for the rest of the year?

 

Solo wise….

I’m working on music for a book I wrote. I’ve always LOVED writing stories! Stories in songs…stories in comic books…now it’s time to put music to this one!!!

 

I’m working on a song for an upcoming Curry Cuts tribute project that I believe is coming out by end of the year (more details coming soon). This particular tribute is one I’m beyond excited about…I’m a crazy huge fan of this particular secret artist!!!
And then my next solo album…is already written! The working title right now is Chestnut Street. I might actually end up keeping it. And because readers (and you) have made it THIS far…here is one of the songs that will be ON that album: “Almost Didn’t Happen”

LISTEN HERE

 

I keep my Facebook page active with news and updates.

 

NEW BAND!!!

The Seven & Six is the new band Tom Richards (I mentioned above from my dream band) and I (under my nickname Elsie Mychols) have put together. We are a three piece, “Hi Matt!!!” (He’s our drummer).

Lots of great new (Power Pop) releases this year but it looks like Sloan’s 12 and Rob Bonfiglio’s Trouble Again are a league on their own. Both have this ‘greatest hits’ feeling to it. I could spend a couple of months on a desert island with only these songs to sing along to.

 

 

What was the biggest fun during the making of the last album?

 

…Watching these songs come to life. It’s that simple. I recorded this album entirely solo which is a rather unique way to go about the process. On one hand, it’s incredibly liberating and 100% satisfying from an artistic standpoint, but can sometimes get a bit lonely. Such is the result of being an introvert. I’m a bit of a conscientious control freak. I’m very particular about every nuance of my songs, and I have an ability to keep a pretty clear and concise perspective on the results. When working with other musicians on my own projects, I tend to worry too much about whether I’m being too controlling, sometimes to the detriment of my vision. When working alone, I’ve had the ability to lay ideas down as quickly as they come and I like that freedom.

 

 

At what point, during writing, rehearsing, recording, did you knew you were on to something special?

 

…For the songs that appear on TROUBLE AGAIN, I had at least as many others that didn’t make the final cut, all in various stages of recorded form. I allowed myself the luxury of writing and playing all these songs solo for a good year and a half before recording them for the album which gave me the opportunity to see which went over well and which felt true to me and which weren’t quite ready. I like to believe that the “special” quality is the result of each song being absolutely and completely from the heart and without pretense.

 

 

 

 

The music industry has changed a lot (or so they say). What did it bring you? And what not?

 

… I’ve been in the position of having made records for major and indie labels throughout the years with and without bands. I’ve achieved some degree of success, but not so much that I can’t appreciate the difference between wanting to make a commodity and wanting to share heartfelt music with people who really appreciate it. I’ve faced rejection in this business so many times it’s ridiculous. If anything, my decision to keep going is purely out of love and desire.

At this point in my career, I truly don’t feel the pressure of trying to appease “the man” in any way. I’m humbled and grateful for personal one on one connections with appreciative listeners.

 

 

The meaning of ‘success’ has changed over the years. When will the new record be a success?

 

…If I’m able to move the listener in any positive way, I’m successful.

 

Do you feel part of a community, the power pop community?

 

…Yes and I love and appreciate them all. I don’t consider everything I do to fall neatly into one specific category, but I’m grateful to be generally accepted by such a discriminating bunch, and I mean that in the best of ways.

 

 

Can you still recall the moment music became important to you? What happened?

 

…I honestly can’t remember a time when music wasn’t important to me. Somewhere in my teens, I grew into the realization that I can do this thing called music with a degree of competency. It was probably then that its importance became that much more significant.

 

 

 

 

Which is the song you wish you had written every time you hear it? And why?

 

…A complex answer to a simple question.What often makes a song great to me is not simply the right combination of lyrics, harmony & melody, but the times and circumstances under which the song was written. If I heard “Only Living Boy in New York” or “Mercy On Broadway” or ”What’s Going On” for the first time today and without any backstory or pretense I’d say yeah, that’s a great song and I wish I’d have written it. But I wasn’t on the verge of parting ways with my musical partner or living through a brutal New York City summer in 1968 America or struggling through the agony of the Vietnam war and the racial division of that era. The “Tommy” suite, “The Song Is Over”, “Save The Country”, “I’d Have You Anytime”, “Living for the City”, “Whispering Pines”, “Suzanne”, “Hallelujah”, “Forever Young”, “If You See Her, Say Hello”, “Oh, You Pretty Things!”, “Marlene”, the list goes on and on. Oh, and let’s not forget “La La Means I Love You” and so many great Motown and Philly soul hits, not to mention the Tin Pan Alley and Brill Building classics. Why? These songs cut real deep for me. I’d like to be able to move others the way these songs have moved me.

 

If the budget was unlimited, how would you record the next record?

 

…Exactly the same but with better gear.

 

 

Every family birthday, same story. Again, you have to explain what kind of band you are in. What’s the story this time for aunt Jenny and uncle Clive?

 

…I’d have to say “guitar-based pop tunes with classic rock influences”.

 

 

What would change if Disney would call and tell you they are going to use your song in their next movie?

 

…I’m fortunate in that it’s happened before. I have a song called SHINE that was featured in Disney’s “Bridge To Terabithia” back in 2008. It’s always a thrill to hear a song you’ve written and recorded on the big screen, no matter what the movie budget. It’s cool to see what scene a song is chosen for. Having the Disney name behind the movie can really raise your profile. In my case, lots of positive fan feedback, the thrill of seeing the song in official sheet music form, appearing on the official movie soundtrack. It’s really exciting stuff.  It’s sort of like watching your child achieve a milestone. I can only hope and wish for more placements to come.

 

 

What’s up for the rest of the year?

 

…I’ll continue to write, record and produce for myself and others in addition to fulfilling my sideman duties with Wilson Phillips and a host of other Los Angeles based artists. I’m happy to say business as usual!