THE NOBILITY – Sean Williams




What was the biggest fun during the making of the last album?
The coolest thing about the latest Broken Promise Keeper album is that it’s an international affair. Most of the drums were played by Will Jones, an session drummer in Hertfordshire, United Kingdom. Then I had mixing/mastering consulting by Andrew Gosden, of Cold Room Studios, Brisbane, Australia. I’d met both on an online forum, liked their style, and ended up getting their expertise on album.
If we want to know you, which song do we have to listen to? And why?
On this album, it’s definitely “Here We Go” which is the kick-off tune. It’s inspired by the often quoted definition of insanity: “Doing the same thing over and over and expecting a different result” – well, that resonates with me because I’m stupidly stubborn sometimes. OK, most of the time. But I’m getting better as I get older!
The music industry has changed a lot (or so they say). What did it bring you? And what not?
Well, I had a glimpse of the old-school music industry, circa 1985 or so, when I was about to graduate from college but was in a regionally successful band in the Southeastern US. We got signed to a label, recorded several records (those flat, black and round plastic things), toured lots of clubs… lots of fun, but not so lucrative from a financial perspective. Now, you don’t need the “music industry” — what’s left of it is focused on the mega-huge stadium acts like, well, you know. So the ability for folks like me to record, distribute, and avoid any industry middle-man is a good change.
Who is the best musician in the world nobody has heard of yet? And why will this change very soon?
That’s the downside of the change in the music industry – I’m positive there are just the bestest, sweetest Power Pop bands out there, but I don’t know about them because it takes effort to find them. There’s no longer any support from the music industry (if there ever really was) to grow new bands, and radio is no help. So today, as a listener, you really have to make an effort to look for music that turns you on, searching either online with the help of sites like this or better yet by supporting your local music scene and supporting the bands you like.
She tells you she will decide on a 5-song-mix tape if there is going to be a second date. Which 5 would you put on?
Well, I’ve been married for a long time, so this is more of a list of the five Power Pop songs we fell in love with together. I hope you like high-energy melodic rock from the 80s, all North Carolina or Georgia bands from the Southeast US:
“Love Is For Lovers” – The dB’s
“Double Our Numbers” – Parthenon Huxley
“Stone Cold Yesterday” – The Connells
“Praying Mantis” – Don Dixon
“Harborcoat” – REM
What’s up for the next couple of months?
I have to get back on the computer and find more sites like this one! That and start recording again…
Check out the site

What was the biggest fun during the making of the last album?
Getting my friends over to play on the record was the best part. I write alone most of the time and that tends to be a pretty solitary and sometimes lonely process. I love when things start to take shape during recording. A lot of times, the songs end up in a completely different place than initially expected. I’m fortunate to have a group of guys that I’m on the same page with and trust to give the tunes what they need.
If we want to know you, which song do we have to listen to? And why?
I would check out “Good Love” (the title and lead off track). The record, as a whole, is kinda fun and loose. I think this track sets the tone for things to come and represents how I was feeling during the writing and recording of the album. Sometimes I like to tone things down and get serious, but this time around, it was nice to just cut loose a bit.
The music industry has changed a lot (or so they say). What did it bring you? And what not?
It’s hard to say as I try not to think about the big machine much. I know that the state of the industry made me much more open to trying new things, musically. If someone would ask me to do something, I’d give it a shot. This led to me doing the score for a Willie Nelson and Harry Connick Jr movie called “Angels Sing” a couple years back. Also, I’m always trying to get better at my recording, mixing, and producing skills as I don’t really have the budget to hire anyone else. The main thing I’ve realized over the years is that there isn’t one distinct path to being successful. It’s kinda the wild west out there. In some ways that’s frustrating, in others liberating.
Who is the best musician in the world nobody has heard of yet? And why will this change very soon?
I think Anna Calvi is an amazing artist. I realize she’s relatively known, but think she will be a household name in the near future.
She tells you she will decide on a 5-song-mixtape if there is going to be a second date. Which 5 would you put on?
Ok, here we go..
The Zombies – This Will Be Our Year
Anna Calvi – Desire
The Soundtrack of Our Lives – Sister Surround
Wilco & Billy Bragg – California Stars
Nick Lowe – I Love The Sound of Breaking Glass
What’s up for the next couple of months?
Next few months will be spent spreading the good word on the record. Have some duo shows in the works with my buddy Dan Wistrom and will hopefully get a full band gig or two in as well. Will continue to write in prep for the next record so hopefully things will have taken shape by the end of summer. Heading to Spain in June for vacation so I’m much looking forward to that!
Check Scott’s website for updates & for the music

What was the biggest fun during the making of the last album?
Alexander Wahl: We haven’t released any albums yet but we are currently working on one, we have only released EPs, Easy Pleasures and our latest release Citrus.The fun part is to create and let things happen spontaneously without too much thought. This is kind of the concept of Animal Daydream, it’s like some kind of adult playground where we make all the rules and anti rules in a blend of social silliness, caffeine, beer and spicy food. The most fun is to destroy boring songs and remake them into fun songs.
Daniel Fridlund Brandt: Yep, and we always try to keep the recording process fresh by not using the same formula each time. If we get to comfortable it tends to be boring, so a lot of our songs contains first or second takes. If the feeling is right it´s not necessary to play every note perfect. The instrumental bits comes very easy for us but the singing and the lyrics is what takes more time.
If we want to know you, which song do we have to listen to? And why?
A:Not a favorite question for me. I usually get hooked on a song and terrorize all my friends, telling them how awesome it is. Lately it has mostly been old songs like Take It To The Limit by The Eagles and Love and Mercy by Golden Smog and Talks We Used To Have by Fargo. A while ago I listened a lot to EZTV, the whole album is really great and Dust in the Sky is a super song.
D: I also find it hard to let a couple of songs define me as a person, but I can say that I still think The Byrds – Lady Friend is one of the best pop songs ever recorded, even though I heard it too many times during the years. Stuff I been listening to lately:
Doug Tuttle´s latest album It Calls On Me (which deserves more attention for sure), Felt – Forever Breaths The Lonely Word, Melody´s Echo Chamber – s/t, Goran Kajfes – The Reason Why Vol 2 and the latest Wild Nothing record Life Of Pause. The Morgan Delt record blew my mind some year ago and recently I have been rediscovering early The Posies albums and 70’s era Steely Dan.
The music industry has changed a lot (or so they say). What did it bring you? And what not?
A: I guess that it’s easier to spread your music and you don’t need lots of money to make records. We make music for fun and industry sounds like work and work is not fun.
D: Exactly, you can record an awesome record in your bedroom and you don´t need expensive studios and corporate label money to get it out there. The downside is that there´s too much information and distractions everywhere so it´s kind of hard to cut through the noise. If people do not love the first 10 seconds of a song they skip to the next.
Who is the best musician in the world nobody has heard of yet? And why will this change very soon?
D: Hmmmm. This is a tough one. Our friend Tommy Lindström AKA Gondolen DIY-released a great record some years ago.I guess not that many people have heard it. It´s on Spotify so check it out!
She tells you she will decide on a 5-song-mixtape if there is going to be a second date. Which 5 would you put on?
A: I’d probably go for some classics and make some kind of vertical word of the letters like “Color” or “Pay my bills so I can play rock n roll”.
Can’t Explain – The Who
One Way Ticket – The Breakaways
Looking The Magic – Dwight Twilley Band
Oh Babe – Van Duren
Round and Round – The Edgar Winter Group
(Hidden track My time – The Pretty Things)
D: Haha. Next question please.
What’s up for the next couple of months?
D: Hang out, make new music, release a super limited edition cassette containing both EPs, travel, welcome the Swedish summer, eat some Indian food (regular joint close to our studio The Zoo), have a couple of beers and release a new video.
A: Yes, all that. Our latest release got some pretty awesome reviews and I guess I’ll be hovering on those for a while and continuing making songs.
School steals a lot of time but keeping the mind busy gives a lot of inspiration and I’m thinking that the songs we are working on right now are the most interesting so far.
D: Thank you for your interest and check out our stuff if you haven´t yet!
Check it out
animaldaydream.bandcamp.com
https://www.youtube.com/watch?v=KIPEuPgA-h4
facebook.com/animaldaydream
instagram.com/animaldaydream
soundcloud.com/animaldaydream
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What was the biggest fun during the making of “love not war”?
For me it was to actually play drums on a couple of my own songs. I’m a terrible drummer but love to play, and thanks to the magic of the studio and editing I was able to play drums on two songs (Mayor Of Midnight, A Boy Downtown). “A Boy Downtown” is actually the first song I’ve ever sang & played all the instruments on. I have to say, it was also fun being able to get all the various amazing musician friends on there. Without their talents it wouldn’t be the same. One particular memory was getting Dan Bern, who I wrote “Too Many Songs” with, to record the harmony vocal in the dressing room of the Tin Angel in Philadelphia before a gig we played together there with my mobile setup.
If we want to know you, which song do we have to listen to? And why?
I’d say the title track “Love Not War”. It’s as much a relationship song as it is political, but in these crazy times of violence and uncertainly I think choosing love over war is something more people should strive for.
The music industry has changed a lot (or so they say). What did it bring you? And what not?
I’d agree that the music industry has changed a lot. One thing the current situation has brought to me is the ability to record, release and promote a record on my own, and have a platform (mostly digital) for people anywhere in the world to hear it. The downside is of course that the streaming revenue for music is currently pretty terrible, so making a living playing & writing music is harder than ever.
Who is the best musician in the world nobody has heard of yet? And why will this change very soon?
I’m not sure if this will change very soon, but I’m a big fan of Walter Sear who people may know as a studio engineer/producer. He passed away a few years ago. One of the first things I listened to as a little kid was his “The Copper Plated Integrated Circuit” moog album. It was on the flipside of a cassette that my Uncle from Holland sent over. Took me many years to figure out who it actually was. Even though I’m mostly a guitar player that record inspired me greatly.
She tells you she will decide on a 5-song-mixt tape if there is going to be a second date. Which 5 would you put on?
Wow, that is tough! But off the top of my head-
The La’s- There She Goes
Hans Rotenberry & Brad Jones- Back To Bristol
Kinks- Waterloo Sunset
Glen Campbell- Wichita Lineman
Wilco- Can’t Stand It
What’s up for the next couple of months?
I have a bunch of live shows in the area that I’ll be doing solo and with my band The Forward Thinkers to promote the new EP, and looking at a trip to California as well. Plus I’ll be putting out a 45 in April that will be available from my good friends at Tallboy Records (http://www.tallboyrecords.com).
Check it out
http://www.facebook.com/cliffhillis
What was the biggest fun during the making of the last album?
RB: This record was a “prove it” album for me. I had all these songs and I knew I wanted to produce and play everything on the album myself. I said, “Ok then, Reno, show me what you got.” There was a learning curve involved in figuring out how to do it all myself and it certainly didn’t come without its struggles. I scrapped a lot of stuff along the way and started over again. But ultimately, I made the record I wanted to make. Every note and sound is exactly the way I wanted it to be. The most fun I had was proving to myself that I could do it and now I know that. Will the next one sound the same? Probably not because this album made me a better producer. But I’m excited for what’s next.
If we want to know you, which song do we have to listen to? And why?
RB: I think the song “Lessons From A Shooting Star” encapsulates where I was while making this album. It’s got a little bit of everything in it – love, angst, melody, not one but TWO guitar solos ha ha. It’s the most rock and roll thing on the album to me.
The music industry has changed a lot (or so they say). What did it bring you? And what not?
RB: I really tried to not think about that at all. I just wanted to focus on making the best album I possibly could and trusted that the rest would fall into place. The pro’s of having a large company behind you is the money for publicity, radio, the big push. Having that all go off at one time is ideal. However, doing it at the indie level like I am (with my little label Electric Western), folks discover you slower. And the ones that find you found you for a reason. So I know that the fans I do have were made organically and are genuinely into the music.
Who is the best musician in the world nobody has heard of yet? And why will this change very soon?
RB: One of my favorite bands in Nashville is filled with some of the best musicians in the world. They are called Steelism. The guys sit in with me on shows from time to time. Jon Radford is the best drummer I’ve ever played with. Jeremy Fetzer is one of the most precise and soulful young guitar players out there today. Spencer Cullum Jr does things with the pedal steel I’ve never heard before. And Jon Estes not only plays bass, but arranges horns and strings. Talented brood they are. Check them out. Their music is an instrumental amalgam of Booker T. And the MGs, Ennio Morricone and The Ventures.
She tells you she will decide on a 5-song-mixed tape if there is going to be a second date. Which 5 would you put on?
RB: Hands down . . .
“I’d Have You Anytime” by George Harrison
“Until You Came Along” by Golden Smog
“Forever” by The Beach Boys (with Dennis Wilson on lead vocal)
“I Saw The Light” by Todd Rundgren
“Summer Wind” by Sinatra
What’s up for the next couple of months?
RB: I just finished up an LA run of shows. I’m in NY now, then head back to Nashville to start writing for the next album. I’ll also be putting out some singles and one offs in the next few months. Stay tuned at www.renobo.com!
Read the other Passports
What was the biggest fun during the making of the last album?
There is a point in almost every recording, usually when you are doing the over dubs and my work is mostly done and I get to hear the tracks blasting back in the control room and it sounds great and you are just so excited with how the songs are turning out. On this record it was when Jim was laying down the guitars on “Baby I Want You”, I was on cloud nine. I had been living with that song for so many years and to finally hear it in a big studio was awesome!
If we want to know you, which song do we have to listen to? And why?
I guess “I Need My Rock N Roll” because it talks about how I got into this whole thing of playing and writing rock n roll songs, been loving it since I was a kid!
The music industry has changed a lot (or so they say). What did it bring you? And what not?
Jeeze, the record business has changed a whole ton since I started (pre-internet!) Fortunately now I am totally DIY. That means I pretty much do everything myself. I like that because you get to do what you want and not what someone else tells you to do. I got a lot of benefits from the business when I was younger and we were signed to Sony Records and we had Bill Graham Management. They got my name out worldwide and that helped a lot but we weren’t really a major label kind of band, so in the end they didn’t know what to do with us! I had a lot of fun though being a young pop star!
Who is the best musician in the world nobody has heard of yet? And why will this change very soon?
I don’t know but he or she better get out and start playing!
She tells you she will decide on a 5-song-mixed tape if there is going to be a second date. Which 5 would you put on?
Twist & Shout – The Beatles
Just What I Needed – The Cars
Road Runner – Jonathan Richmond
In The City – The Jam
Come a Little Bit Closer – Jay and the Americans
What’s up for the next couple of months?
Just put together a rocking new band here in NY so I am going to play shows all over the east coast! Playing The Cake Shop with The Mean Jeans (Portland), hopefully going to Boston to play with The Lyres, stuff like that! Also writing songs for the next record! Keep on rocking folks!
Check the current tour here
And buy your tickets for the Utrecht concert here
Read the other Passports
Photo: Michael Carpenter
What was the biggest fun during the making of Joy Acid Pact album?
JH: Without a question, the best part was Living on Bondi Beach during the recording of “Joy Acid Pact”, after coming back from the studio deep inside Sydney, early in the morning, then getting to the Beach! Incredible!!
If we want to know you, which song do we have to listen to? And why?
JH: Good question, from the first album, “New Bondi Hippies”, “My Girls Random”, because all in all, I am power pop all the way, and this song soars, is intricate, and still rocks out, which is at the root of everything I do. I love my psychedelic tendencies, and even somber lyrical content now and then, but deep down as I express myself, I am a happy soul, and this song is a lifter.
The music industry has changed a lot (or so they say). What did it bring you? And what not?
JH: When I started out, the only way to get your music out was consignment in the record stores, or at live gigs. Now? I sell more records and merchandise via internet, then physical cd or vinyl product, 10 to 1. It amazes me, still. If there was a problem with this new frontier, it would be the near impossibility of standing out over the millions of other artists. So, I try to be a step ahead, but I’m always learning new tricks from younger artists coming up. Brilliant stuff!
Who is the best musician in the world nobody has heard of yet? And why will this change very soon?
JH: ‘Never heard of yet’ is doubtful, but the most amazing musician in my eyes is Mr. Michael Carpenter from Sydney Australia, a WORLD class drummer, a stylistic Bassist, a really fantastic Guitarist, and a hell of a piano player. I have never met anyone who can play EVERYTHING so well. MC blows me away, and…………..he’s a fantastic guy.
She tells you she will decide on a 5-song-mixed tape if there is going to be a second date. Which 5 would you put on?
JH: Shelter Song TEMPLES /// Anemone BRIAN JONESTOWN MASSACRE /// Here Without You BYRDS /// I Got You STONE TEMPLE PILOTS /// Summertime ZOMBIES
What’s up for the next couple of months?
JH: I am going to be starting the third Album in Mexico City, and shooting a video for the same project over the next few months, with trips to Orlando, and Los Angeles for the same purposes, all in all ending up in Sydney once more, because I can’t live without that beach!!

Look out for the single which will be released early 2016.
Check the Still Unbeatable Records website for updates.
If you would like to find out how they sound, please check
What was the biggest fun during the making of the new single?
The recording sessions for the Liquid Breakfast single were special because it’s no ordinary band, so it was no ordinary recording process. Usually you rehearse the songs and then go into the studio and record them. But we come from different countries and most of us never met each other in real life before. Malte Buhr, who wrote the songs, and I have had online contact for some years, we met through MySpace and made contact again through Facebook and started making music online. He is a fan of my band Rotjoch and at a certain moment he asked me if I would make a Rotjoch style version of one of his songs and later on I did that with some more of his songs. At a certain moment he suggested to record some of these songs and release them. So we planned a recording date and got together. He asked bassplayer Luc Bulles from London to join and I asked Rotjoch’s drummer William van Veenendaal. The special recording circumstances in which we had to meet for the first time, do a short rehearsal and then start recording was great fun. But for me the biggest fun was finally meeting Malte in real life after knowing each other for many years through online contact only.
If we want to know you, which song do we have to listen to? And why?
I think that must be “Bad Boy” because it’s a kind of statement what Rotjoch stands for. Being honest, tell the people what you think even though some may not like that.
The music industry has changed a lot (or so they say). What did it bring you? And what not?
Of course it means opportunities as well as problems. For instance the promotion, in the old days you could go to the radio stations at certain hours and talk directly to the dj’s and ask them to play your records. Not only the big companies but also the small independent labels and bands who released their own records could do that. And the dj’s could decide themselves if they would play your songs or not. Nowadays it’s not that easy to meet them and besides most dj’s don’t decide themselves what they play anymore. But on the other hand you can promote your music by the internet all over the world, you have all kind of websites to support DIY artists.
Who is the best musician in the world nobody has heard of yet? And why will this change very soon?
I really couldn’t say. I see a lot of good musicians but you need a good team of musicians to make a band. But they don’t necessarily need to be the best musicians.
She tells you she will decide on a 5-song-mixtape if there is going to be a second date. Which 5 would you put on?
That’s very difficult, you could say that there should only be romantic songs on it but I think it would be better to put some songs on it that say something about me. But if you ask me tomorrow I might put some other songs on the tape..
What’s up for the next couple of months?
Apart from doing a lot of gigs I’m waiting for the release of the Liquid Breakfast single and try to make some promotion for it in The Netherlands. Then there’s going to be the release of the Rotjoch EP Nobody Knows, so I’ll be quite busy doing the promotion for that one. I will be doing some recording sessions with Rotjoch for a CD we want to release. And if there’s some time left I’ll be playing at jam sessions.

What was the biggest fun during the making of the ALBUM?
Getting on an airplane once a month and flying to Boston to work with Brian King (Parks and OranJuly), and Duckie Carlisle (Grammy winning engineer) .
The three of us really had common goal of making a great new pop album. Something fun and catchy but not cliché.
If we want to know you, which song do we have to listen to? And why?
As a songwriter I look for ideas and stories that people in some way can relate too. Things I’ve observed in life, sometimes ironic, sometimes humorous, sometimes sad – while each of those components exist in my own life I really don’t try to write about me (at least not on this album). If I write about someone/something else I can make up whatever I want to make the song interesting.
The music industry has changed a lot (or so they say). What did it bring you? And what not?
The volume of really good music, (and really bad music) has increased so much, yet the investment and risk profile business is willing to make in artist has gotten so low its practically impossible for unrealized talent find its way to some type of commercial success. However, making a record is much easier and cheaper these days, there are far more channels to get your music out there. Depending upon how much you work at it , there are many ways to get your music heard. It’s crazy my album is popular in places like Chile, Brazil and Japan. It’s quite satisfying to know people like your music all over the world. That could not have happened a few years ago. While the audience has gotten larger, the money really hasn’t for musicians. However, that isn’t just a problem for indie artist. It’s a problem for the whole industry.
Who is the best musician in the world nobody has heard of yet? And why will this change very soon?
Brian King, my producer, and of the band Parks. Parks new album will be great. He’s a creative and meticulous musician and producer.
She tells you she will decide on a 5-song-mixed tape if there is going to be a second date. Which 5 would you put on?
So… its songs for “she” , so I’ll select random shuffle on my “smooth” playlist and see what 5 songs come up.
* Could you Lie –Alison Krause
* More than This – Roxy Music
* The things we do for love – 10cc
* Alone Again (Naturally) – Gilbert O’Sullivan
* Virginia – The Nines
What’s up for the next couple of months?
I’ve been writing and collecting song ideas. Toward the beginning of next year I’ll go into a focused writing mode and start making the sort list of songs I want on the new album.
In addition, there are a few of my songs that other artist will be recording. We also have the album on the desk of several producers for consideration for movie and TV.